JoAnn Verburg

All images @ JoAnn Verburg 2018

AS IT IS AGAIN, by JoAnn Verburg. Location Books, 2011 (available for the iPad on iTunes as a free app).

“Findings,” (unsigned). Harper’s, Oct., 2011, p. 88. (OLIVE TREES AFTER THE HEAT)

“Interruptions: JoAnn Verburg,” by Mason Riddle. Rain Taxi, Vol. 16, No 3, Fall, 2011, p 27.

“The Gaze Reversed: Women Photograph Men” by Juliana Halpert.
The New Yorker: “Photo Booth”

INTERRUPTIONS: JoAnn Verburg, by Walter Leidtke. Steidl, 2010.

“JoAnn Verburg,” by Kristin M. Jones.
Frieze, January-February 2008.

“Preview: Sacred Trees” by Alex Amend.
ARP! vol.13, March, 2008.

“United We Tensely Stand,” by John Sand.
The Minnesota Daily, January 24, 2008.

“Capturing Relationships: JoAnn Verburg,” profile by Euan Kerr.
Minnesota Public Radio, January 21, 2008.

“Art: Intimate Images in 'Present Tense',” by Mary Abbe.
Star Tribune. January 11, 2008, pp. 1 and 10.

“Art: Intimate Images in 'Present Tense',” by Mary Abbe.
Vita.MN. January 10, 2008.

“JoAnn Verburg: St. Paul Photographer Invites Immersion” by Matt Peiken., January 8, 2008.

“Photographer Verburg Finds Inspiration In Conflict Between Peace, Violence," by Amy Carlson Gustafson.
Pioneer Press. January 6, 2008.

“A Showcase Between Two Covers,” by Mary Abbe.
Star Tribune. December 16, 2007.

PHOTOGRAPHY: Ninth Edition, by Barbara London, Jim Stone, and John Upton. Upper Saddle River, New Jersey: Pearson Education, Inc., Prentice Hall, 2008. pp 296.

“Critic's Notebook: Domestic Import,” by Vince Aletti.
The New Yorker, August 6, 2007, p. 12.

“The Experience of Time: Interview with Susan Kismaric,” by Mason Riddle., August 1, 2007.

“Item World: Retro Activity” by Mary Abbe.
Star Tribune, July 20, 2007, F2.

“Moments in Time, Yet Somehow in Motion,” by Philip Gefter.
The New York Times, July 15, 2007, p. 27.

“JoAnn Verburg’s photos: Emo Cool” by Mary Abbe.
Star Tribune, July 8, 2007, F2.

“Intimate Dissimulations: JoAnn Verburg’s ‘Camouflage’ at Gallery Co” by Cecilia Aldarono.
MNARTISTS.ORG, May 30, 2006

“Protective Coloring” by Judy Arginteanu.

“Painting With the Camera” by Elaine Klaassen (cover story).
PULSE, May 17 - 23, 2006, pp 4 - 6.

THE HUMAN TOUCH: Selections from the RBC Dain Rauscher Art Collection, 2005, essay by Don McNeil. Untitled (Jimmy Reading, St. Paul de Vence) p. 94-5.

“Rail Art Running Late” by Mary Abbe.
MINNEAPOLIS STAR TRIBUNE, July 6, 2004, p. B1-2.

“Pyramid Power” by Mary Abbe.
MINNEAPOLIS STAR TRIBUNE, October 24, 2003, p. E22.

THE PROBLEM OF READING, Moyra Davey. A Documents Book, 2003.

“In Transit: They hear light rail a-comin’ ” by Laurie Blake.
MINNEAPOLIS STAR TRIBUNE, September 21, 2003, p. B1, 11.

“Milling Around” by Peg Meier.
MINNEAPOLIS STAR TRIBUNE, September 12, 2003, p. E1, 12-13.

ARTISTS TO ARTISTS, (exhibition catalog) Colo Springs, Colo.: The Marie Walsh Sharpe Art Foundation, 2002.

“Congratulations Fiscal Year 2001 Fellowship Grantees” by JoAnn Verburg.
ARTS BOARD NEWS, Vol. 15 No. 4, Summer 2001, p. 8.

VISIONS FROM AMERICA, (exhibition catalog) by Sylvia Wolf and Andy Grundberg, New York: The Whitney Museum, 2002.

“Olive Branches” by Mary Abbe
STAR TRIBUNE, March 9, 2001, pp. 10-11.

“St. Paul Photographer Chronicles Walk With Nature” by Mason Riddle.
St.PAUL PIONEER PRESS, April 3, 2001, p. 2.

“Enter the Moment” by Cynde Randall.
ARTS MAGAZINE, March, 2001, pp. 18-19.

“Present/On the Road to Bazzano” essay by Cynde Randall.
Minnesota: MAEP, March 2001.

“Show of Shows” by Vince Aletti.
THE VILLAGE VOICE, July 18, 2000, p. 65.

“JoAnn Verburg” by Margarett Loke.
ARTNEWS, October, 1998, p.145.

HOPE PHOTOGRAPHS, Alice Rose George and Lee Marks, ed. New York: Thames and Hudson, 1998.

“Voice Choices: Short List: ‘Four Walls’ by Vince Aletti.
THE VILLAGE VOICE, July 21, 1998, p. 71.

“Voice Choices: Short List: Photo: JoAnn Verburg” by Vince Aletti.
THE VILLAGE VOICE, May 26, 1998, p. 80.

HUNGRY MIND REVIEW Cover photo. No. 46, Summer, 1998.

“New Art Commissions Light Up ‘U’ Buildings” by Mary Abbe.

NUDES 2, New York: Graphis Inc., 1998

CONTEMPORARY PHOTOGRAPHY, New York: Graphis Inc., 1998

“In Memorium: Allen Ginsberg, 1926-1997” by Steve Paul.
HUNGRY MIND REVIEW No. 42, Summer, 1997, p. 17.

PERPETUAL MIRAGE: PHOTOGRAPHIC NARRATIVES OF THE DESERT WEST by May Castleberry. New York: The Whitney Museum of American Art, 1996.

“Placeres y Terrores” by Peter Galassi.
PAPEL ALPHA, No. 2, 1996.

“The Shock of Completion: A Poet Looks at Photography” by James Moore.
PARTS JOURNAL, Vol. 2, June, 1996, pp. 18-21.

NEW PHOTOGRAPHY by Toby Kamps. Madison: The Madison Art Center, 1995.

“Art in Review: JoAnn Verburg” by Charles Hagen.
THE NEW YORK TIMES, July 28, 1995.

“Letter from New York” by A.D. Coleman.
PHOTO METRO, June/July, 1995, p. 28-9.

“...A Suite of Sunday Afternoons” by A.D. Coleman.
THE NEW YORK OBSERVER, June 26, 1995, p. 19.

“The Short List/Photo: JoAnn Verburg” by Vince Aletti.
THE VILLAGE VOICE, May 24-30, 1995, p.3.

“JoAnn Verburg at pARTS Gallery” by Vince Leo.
ARTFORUM, Dec., 1994.

“History Revisited” by Carmelo Vega.
PHOTOVISION 25, June, 1994. pp. 8-17 and 55-62.

“Piecing the Meaning Together” by Deborah Knaff.

ARTFORUM, April, 1994, Untitled (Jimmy Sweating) on p.83.

“Photographer’s Show is Loving Portrait of Husband” by Mary Abbe.
STAR TRIBUNE, May 2, 1994.

HUNGRY MIND REVIEW Cover portrait and portrait, p. 42 of Allen Ginsberg. No. 30, Summer, 1994.

“Photography in Review: JoAnn Verburg and James Henkel” by Chuck Hagen.
THE NEW YORK TIMES, Aug. 6, 1993.

“Voice Choices: Photo” by Vince Aletti.
THE VILLAGE VOICE, Aug. 31, 1993.

“The Camera as a Tool to Assault Modern Ills” by Chuck Hagen.

PLEASURES AND TERRORS OF DOMESTIC COMFORT by Peter Galassi. New York: The Museum of Modern Art, 1991.

ROBERT WILSON’S VISION by Trevor Fairbrother. Boston: Museum of Fine Arts, 1991.

“Photography” by Abigail Foerstner.
CHICAGO TRIBUNE, Sept. 13, 1991, p. 64.

“Chuck Close Browses at the Modern and Assembles an Exhibition” by Michael Kimmelman. (Reproduction of UNTITLED [3 x JIM], 1989.) THE NEW YORK TIMES, Nov. 23, 1990.

“Photography” THE NEW YORKER, Nov. 19, 1990.

“Museum of Modern Art Photos Focus on Human Condition” by Stefan Janis.
SUNDAY STAR-LEGER, Newark, NJ., Nov. 11, 1990.

“Colorful, Dramatic and Candid” by Susan Funkenstein.
COLUMBIA DAILY SPECTATOR, New York, Oct. 26, 1990.

HUNGRY MIND REVIEW, March, 1990. Cover photograph and portfolio, pp. 19-22.

SWIMMERS by Stephen Dobyns and Hans Christian Adam. New York: Aperture Foundation, Inc., 1988.

SMITHKLINE & FRENCH RESEARCH AND DEVELOPMENT ART COLLECTION, Introduction by Mark Rosenthal. Upper Merion: SmithKline & French, 1988.

PHOTO CALL, catalog by Lucy Flint-Gohlke. Wellesley, MA: Wellesley College Museum, 1988.

HUNGRY MIND REVIEW, Fall 1987. Cover photograph.

PORTRAYALS by Charles Stainback.
New York: ICP Midtown, 1987.

“Flawed Landscape” review by JoAnn Verburg.
HUNGRY MIND REVIEW, No. 4, Spring 1987.

“Portraits in the Water” by Mark Johnstone.
ARTWEEK, March 21, 1987, pp.11,12.

NEW AMERICAN PHOTOGRAPHS by Davis Pratt. Cambridge: Harvard University Art Museums, 1987.

“Critic’s Choice” by Mary Abbe Martin.

“Every Night: Exhibits: JoAnn Verburg” by Rob Silberman.
CITY PAGES, Oct. 1, 1986, p.27.

“Fall Exhibition Lineup Even Beats the Vikes” by Mason Riddle.

QUIVER (THE NEW PORTRAIT) Vol. 3, No. 1, 1985, n.p.

COLLABORATIVE WORK: RECENT WORKS FROM THE VISUAL ARTS RESEARCH INSTITUTE, edited by Lucinda Gedeon. Tempe: Arizona State University, 1986, p.20, 29, 30, 57-9, 100.

“JoAnn Verburg’s Photographs Stand Tall in Packard Hall.”

MILKWEED CHRONICLE, Spring/Summer 1986. Photograph p. 19.

“Film in the Cities” review by Nancy Roth.
WARM JOURNAL, Dec., 1985.

“JoAnn Verburg at Light” by Pepe Karmel.
ART IN AMERICA, Dec., 1985, pp.128-135.

“Photographers and Printers: Work from the Visual Arts Research Institute” by John Bloom and Mark Klett.
SF CAMERAWORK, Vol. 12, No. 3, Fall, 1985, pp. 4-6.

“Show Defines Currents in Photography” by Valerie Lind Hedquist.
ART EXTRA, Vol. 2, No. 1, p. 1.

“People and Landscapes” by Rebecca Palmer.
ARTWEEK, Feb. 16, 1985.

SECOND VIEW: A REPHOTOGRAPHIC SURVEY by Paul Berger, Mark Klett, and JoAnn Verburg. Albuquerque: U of NM Press, 1984.

New York, Dai Nippon Printing Co., 1984.

THE KNEE PLAYS FOR THE CIVIL WARS: A TREE IS BEST MEASURED WHEN IT IS DOWN, introduction by Robert Stearns. Minneapolis: The Walker Art Center, 1984.

“In Some Cases Bigger Really is Better” by Donald Hoffman.
KANSAS CITY STAR, Sunday, Sept. 30, 1984, p. 8F.

“Twin Cities Reflex” by Owen Edwards.

“Verburg Featured at Thomson”
ARTPAPER, Vol. 3, No. 10, p. 5.

“Photography: Looking at the Big Picture” by Pepe Karmel.
ART IN AMERICA, Sept. 1983, pp. 35-9.

PRESENTATION: RECENT PORTRAIT PHOTOGRAPHY by Janet Borden and Ruth K. Meyer. Cincinnati: The Taft Museum, 1983.

ALL FACULTY EXHIBITION (catalog) by Diane Shamash. Minneapolis: Minneapolis College of Art and Design, 1983.

RADICAL/RATIONAL SPACE TIME: IDEA NETWORKS IN PHOTOGRAPHY by Paul Berger and Leroy Searle. Seattle: Henry Art Gallery, 1983, pp. 11,22, and 67.

“Visage: Large Format Portraiture” by Susan White Bogart.
VIEWS, Vol. 3, No. 3, p. 10.

“The Altered Subject”
QUIVER, Vol. 2, No. 1, 1983, n.p.

20 x 24 / LIGHT by Gary Metz, Peter MacGill, and JoAnn Verburg. Cambridge, MA: Polaroid Corporation, Philadelphia College of Art, and LIGHT Gallery, 1980.

“Rephotographing Jackson” by JoAnn Verburg.
AFTERIMAGE, Vol. 6, Nos. 1 and 2, pp. 6-7.